In sepia tones, the film moves back and forth among three periods in Robert Tucker's life: he' s an old man, near d eath, in a n ursing h ome at Christma s time; he& #39;s in middl e age cari ng for his cheerful but d ying mother; he's a lad at Cath olic school, p racticing his catech ism, g oing to co nfessio n for the fir st time, rece iving the Eu charist, surro unded by the singing of a childr en' s choir. In middle age, he looks t hrough his scra pbook of ph otograph s of muscula r men; he recal ls lovers an d his mo ther& ;#39;s cremati on. A nu rse sit s beside him on his last ni ght; in his last breath , he rea ches forw ard and back. . In sepi a tones, t he film moves b ack and for th among t hree per iods in Rob ert Tucker&am p;amp;#39;s life:
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